For day 17 of my 1 Motif 100 ways series for The 100 Day Project I simplified my original motif and overlapped most of the tear-drop shape to create a very simple design.
Read MoreThe 100 Day Project - Day 14 of My "1 Motif 100 Ways" Pattern Series
Today's 1 Motif 100 Ways series for The 100 Day Project is inspired by the religious traditions of the Portuguese town of Lalim with motifs found in Azulejo tile.
Read MoreThe 100 Day Project - Day 13 of My "1 Motif 100 Ways" Pattern Series
Day 13 of The 100 Day Project, I Motif 100 Ways by Carlyn Clark
Read MoreThe 100 Day Project - Day 12 of My "1 Motif 100 Ways" Pattern Series
Today's pattern is a gear-like shape inspired by a grinding stone in Izeda, Portugal.
Read MoreThe 100 Day Project - Day 11 of My "1 Motif 100 Ways" Pattern Series
A repeating pattern inspired by a lighthouse in Gaeiras, Portugal
Read MoreThe 100 Day Project - Day 10 of My "1 Motif 100 Ways" Pattern Series
For Day 10 of The 100 Day Project designer Carlyn Clark continued the 1 Motif 100 Ways theme by simplifying the motif and changing motif colors. The pattern is named after the Portuguese village of Ferro which has an abandoned rail station with an Azulejo tile mural that inspired the color selections.
Read MoreThe 100 Day Project - Day 9 of My "1 Motif 100 Ways" Pattern Series
For Day 9 of The 100 Day Project designer Carlyn Clark continued the 1 Motif 100 Ways theme by flipping the motif and putting it into a simple half-drop repeat. The pattern is named after the Portugese village of Espinhal.
Read MoreThe 100 Day Project - Day 8 of My "1 Motif 100 Ways" Pattern Series
The pattern takes on a lacy and floral effect today, with finer lines and greater detail. I'm continually surprising myself with how different each pattern can look with simple manipulation of the basic elements.
To make the original element, I made two simple shapes in Illustrator using the pen tool, a circle and a tear-drop. By repeating the rotating tear-drop shape and changing the scale in the circle, I was able to come up with a simple symmetrical motif. My first patterns with the element were simple manipulations of that shape, which led me to pulling the motif apart and rearranging the elements.
By rearranging the order of the elements, filling in some of the circles and slightly manipulating the tear-drop shape I was able to create a new motif with a completely different feeling than the original.